Pitch Your Movie! Ruth’s “Hearts Want”
Ruth from Flix Chatter is pitching her movie today in our month long blogathon (Check the schedule) following the Hollywood Fantasy Draft we conducted recently. Please share your thoughts and any insights you have in the comments and don’t forget to visit her site!
Previous Pitches:
- Andrew Robinson’s “Untitled Joss Whedon Project“
- Anna’s “Truth and Lies”
- Novroz’s “Sunset Mystery“
- Kai’s “The Time Jumper“
- Peter’s “Untitled Hallstrӧm Project“
- Marc’s “Once Upon a Time in Z-West“
- Next: Castor on Monday
Possible Title: Hearts Want
Tagline
In the crossroads of love and life, the choices are never easy.
Themes
Past sins, true love, second chances, lawlessness, temptation, forgiveness, and making tough choices under seemingly impossible circumstances.
Genre
Romantic Thriller
Setting
London, Scotland, France
Overview
Spencer, a retired MI-5 agent currently working as a forensic professor is reeled back into his old world when his estranged son’s fiancee is suddenly gone missing. Thinking that solving the case might be the key to winning back his son’s trust, he vows to do whatever it takes to help solve the case. The prime suspect of the case is Dylan Ferrars, whose mother is Spencer’s former lover Olivia, owner of the multibillion-dollar Ferrars empire. Dark secrets and past sins are quickly revealed as people’s lives are entangled in ways no one ever expected. As the case reaches a boiling point, everyone involved must make some difficult choices under seemingly impossible circumstances.
Logline
I always like thrillers that have love stories at the heart of it. I like Ridley Scott’s work and this one appeals to his softer side while still incorporate his knack for suspense n action. It’ll be set in his native London with a moody almost melancholy but gritty atmosphere. The actors I’ve chosen will play roles they’re not normally associated with and I also like to see a couple of mature thespians at the core of the story, hence my pick of Mirren n Dalton.
Cast of Characters (detailed description to come)
- Timothy Dalton: Spencer Wesford (62)
- Helen Mirren: Olivia Ferrars (58)
- Cate Blanchett: Julienne Ferrars (37)
- James McAvoy: Dylan Ferrars (31)
- Gerard Butler: Jacob Wesford (39)
- Eva Green: Alexa Noble (30)
- Lee Pace: Detective Sean Leigh (33)
- Daniel Henney: Detective Darren Sun (32)
Additional Cast (cameos)
- Michael Gambon: Edgar Ferrars (Olivia’s father)
- Julia Ormond: Magdalene Wesford (Spencer’s late wife)
Backstory
This movie is more of an ensemble-cast in which the principal performers are assigned roughly equal amounts of importance and screen time in a dramatic production. But at the core of the story is Spencer because a lot of the events has to do with a dark past he’s been trying to put behind him. Spencer retired from MI-5 soon after his wife’s death in a car accident 25 years ago, and has taken up a job as a forensic professor in the past 15 years. His quiet life is suddenly turned upside down when his long-estranged son Jacob’s fiancee is suddenly missing. In the hope of regaining his son’s trust, he vows to do whatever it takes to find her.
The case puts him back in the path of his former lover Olivia, whom he had an affair with 30 years ago. The affair lasted nearly a year, but Spencer ended it abruptly out of his conscience. Unbeknownst to Spencer, Olivia became pregnant with Dylan but she decided not to tell Spencer as she found out just as he ended their affair. She never quite get over Spencer and always hope they’d be reconciled one day.
Five years after the affair, Olivia inherited the corporation when her father died (her brother succumbed to MS, which made her the sole heir to her family’s empire). The Ferrars may appear as renowned philanthropists with all the charity and foundations benefiting the poor and the sick, but under wraps they’re a ruthless and nefarious corporation with countless illegal activities. In fact, it was during an investigation into her empire’s alleged dealings with the South American drug cartels as well as ties with Sierra Leone diamond smugglers that Spencer first had an encounter with Olivia. The investigation was fruitless given that the Ferrars had the power to cover up and throw away all kinds of evidence. As the future heir to the Ferrars’ fortune, Dylan is even more ruthless than his grandfather, and even though Olivia had become troubled by her son’s wickedness, she’s powerless to stop it.
In a bizarre turn of events, Jacob and Dylan’s path crossed 30 years later as business partners. Though he was a high school dropout, Jacob managed to work his way up to become a successful club owner and restaurateur. Dylan often uses Jacob’s clubs to entertain his high-powered clients and business associates, and though Jacob isn’t involved in the dealings, he turns a blind eye on the illegal activities.
Julienne is Dylan’s sister who’s sort of the ‘black sheep’ of the family as she not only doesn’t get along with her mother and brother, she never participates in her family’s events and charity functions. Deep down Julienne resents the two-faced nature of her family and finds that money and power is corrupting her family. She has never been married as she never loved the men she had been with, they were all spoiled, rich boys Olivia deemed ‘perfect’ for her daughter. In the past few months, Julienne starts a love affair with a young detective Sean and she’s been feeding tips about the drug cartels and diamond smuggling her own family’s involved in. At first, she was ‘using’ Sean to rebel against everything her mother’s warned her against, knowing that she would never approve of her marrying someone of such a lesser stature and economic level. But then Julienne ends up falling in love with Sean, and for the first time in her life, she finds a real reason for living. Sean happens to be Spencer’s protege who was his former professor at the U and he’s been telling Spencer of his new love, though he cannot reveal her name out of his promise to Julienne. Sean is like a son to Spencer, as he’s pretty much lost Jacob at the same time his wife died.
The set up
ACT 1
The first 10-15 minutes of the movie shows a slice of six lives that’s about to collide.
Opening sequence of the movie opens with scenes of a day-in-the-life of Spencer in the outskirts of London with Philip Glass’ score is playing in the background. The aging widower lives a quiet, regimented life — wakes up in the early hours to jog, followed by boxing in his basement and then breakfast as he reads his paper. His watch beeps; he grabs his jacket and drives to a nearby park. It’s Saturday morning, which means chess game with Sean. Sean buys Spencer coffee and treats, obvious he’s in a good mood. He tells Spencer about this new girl he met and he’s giddy like a schoolboy. He can’t reveal who she is as she made him promise not to because of her famous family.
It’s night time at one of Jacob’s swanky clubs. Love is in the air also for Spencer’s estranged son, who’s on the brink of a new life. He’s newly engaged to Alexa, ending his stint as London’s ‘most eligible bachelor’. He’s telling one of his buddies that he’s got to be home by midnight, which is unheard of for the ultimate party boy and ladies man who usually goes home with a different girl every night. But tonight is different and he’s a new man now, he says, he’s done sowing his wild oats. Next scene shows them in his bed together but they’re not making love. Alexa refuses to do that until they’re married, and Jacob respects that out of her love for her… something he has never done before given that a rich playboy like him usually sleeps with women within hours of meeting them. But Jacob is tired of frivolous sexual escapades that always leave him empty and lonely, so he’s happy even just kissing and gazing lovingly at Alexa’s beautiful face and just talk to each other until they both fall asleep.
Olivia and Dylan at their elite fund-raising event for MS (the organization Olivia is active at in honor of her dead brother). Shows Olivia giving a speech, toasting her son for her charity effort and generous giving to a recent earthquake victims, etc. Snippets of the guests questioning why the Ferrars’ daughter is nowhere to be found as usual… accusing her of not being as charitable as the rest of her family. Moments later shows Dylan on the phone ordering someone tortured/killed as he refused to do something he asked for.
Julienne camping with Sean, blissfully happy being in love. They’re talking about going on a week-long road trip together in Sean’s beat up Jeep Cherokee. He’s teasing her about maybe borrowing one of Dylan’s Maseratis and see if he’d even notice and Julienne scoffs at the idea of using any of Dylan’s preposterous ‘toys’. Her disdain for his brother is apparent.
ACT 2
Shown in flashback mode: Jacob and Alexa are in a restaurant and Dylan came over to their table. The conversation heated up when Dylan made a remark about Alexa being one of his conquests. In the heat of the moment, Jacob threw his champagne at him and tells him Dylan and his guests are no longer welcome at his club. Dylan’s men almost shoots Jacob before Alexa begs Dylan’s forgiveness as she helps dry him off with a napkin. Dylan wipes off his face and says, ‘you’ll be sorry for this!’ before storming off.
The thing is, when you deal with someone like Dylan and his vicious cohorts, there is no turning back. Dylan and his friends think that Jacob knew to much to simply walk away and so they plan on killing him. One night on his way home from his club Jacob’s car is followed by Dylan’s men. A car chase ensues and Jacob is shot in the shoulder and he hits a median, sending him into intensive care, but he survives. Spencer and Alexa visit him in the hospital but Jacob’s still unconscious.
Fast forward a few days later… Spencer is at the U talking with some students about midterm when his cell rings and he immediately leaves. That’s Jacob, calling his father out of desperation to tell him Alexa is missing. That is the first time in over a decade that Jacob is speaking to his father. As Spencer is driving, Sean calls and tells him he and his partner Darren have been assigned to the case. Because of Jacob’s call to the Police station that Dylan is the perpetrator of Alexa’s disappearance and his car crash , the detectives pay Dylan a visit for questioning but they can’t arrest him as there is no evidence of his involvement.
Two days later Spencer receives a note on his front door with the initial OF, saying “I have to see you and I can help.” with an address in a villa south of Scotland. Spencer knows immediately whose name is on the card and the exact location, because that’s the place they’d go for their rendezvous 30 years ago. Thinking that Olivia is in a position to help, Spencer had no choice but to agree to meet her. Though he had left her, deep down Spencer still have feelings for Olivia, but he’s adamant not to let that affect him. The second they meet, Spencer immediately cut to the chase and confronts Olivia if her son was indeed involved in this matter and Olivia rebuffs it, saying that they may have done a lot of bad things but kidnapping isn’t one of them. She assures Spencer that if she knows anything, she’d be more than happy to help. The two spend the whole day together—biking in a Scottish moor, strolling in a small town nearby, etc.—reminiscing on the past the shared together, and Spencer’s heart is softened as the wall he’s been building comes down that night. As they hold hands over coffee, Olivia comes close to telling him about Dylan but Jacob has to leave immediately back to the city. Olivia is hopeful that her dreams of rekindling their romance is about to come true.
Jacob regains his consciousness and he is adamant to help with the investigation of the case, even offers to share everything he knows to bring down Dylan and his associates. This puts Jacob in even more danger, and he risks of losing everything he has built as in the course of one week, his clubs have been the subject of arsons (done stealthily by Dylan’s men). At this point, all Jacob cares about is finding Alexa alive.
Meanwhile, Julienne confronts her brother and pleads him to release Alexa if he indeed has her. Dylan shoots back at her saying that he knows she has been seeing the same detective assigned to the case and warns her it won’t end well if she continues to do so. Julienne tells him to leave him alone and says that Sean is only doing his job, to which Dylan replies that he’s doing the same thing, and that is to sustain the well-being of their family business. “But at what cost, Dylan?” Julienne responds, and the scene ends with her saying, “I’m sorry to see what you have become.”
Act 3
Spencer visits Jacob at the hospital on the day of his release. The two hardly speak to each other, there is still so much pain between them but this time Jacob doesn’t tell Spencer to leave. Jacob’s friends want to drive him home but Spencer convinces his son to stay with him to ensure his safety. He can protect Jacob because of his MI-5 backgrounds and reluctantly, Jacob agrees, at least until his arm heals. Slowly Jacob opens up to his father as the two share a house together. Spencer is ecstatic of this second chance, but he also realizes he can never see Olivia again or risk losing Jacob forever.
It’s day 11 of Alexa’s disappearance and Jacob is losing patience on the way the investigation is going. Despite all the suspicion, there is lack of evidence to pine the case on Dylan. Jacob pleads his father to do go after Dylan as he’s convinced they’re simply so powerful that the authorities can’t touch them. Spencer initially refused, saying that he cannot interfere with police business, but seeing his son’s desperation, he simply cannot refuse him. Besides, they both realize that Dylan is guilty of all kinds of criminal activities he’s been involved in, regardless of whether the Police can link those back to him. Spencer takes Jacob to visit Sean and asks him for help. Sean realizes he’s risking his career and all he’s worked for if he agrees, but at the same time he is loyal to Spencer. Suddenly Julienne shows up, much to Spencer’s shock, but Sean assures them she is not a mole but she is in fact been trying to finally bring her own brother to justice. Julienne tips everyone that every year Dylan hosts a party at one of their mansions in France, which is also one of the location of his money laundering factory. It’ll be the perfect time for a bust as all of Dylan’s powerful associates will also be there.
On the eve of the plan of a shakedown, Spencer receives a call from Olivia. She tells him she has stage 4 breast cancer, and she only have weeks left to live. She pleads for Spencer to visit her at her private clinic. Spencer can’t simply refuse her now, and on her death bed, she finally reveals the truth about Dylan, much to Spencer’s shock and anguish. Olivia asks Spencer to go easy on his son, knowing that sooner or later he will be caught. She also confesses that she knows of all the illegal activities that Dylan is doing, but that there is nothing she can do about it. Spencer says there is and there is only one way to make things right, even if that means making the most difficult decision in their lives.
Act 4
Sean manages to convince his partner Darren, as well as several detectives and special forces to help with the bust. After a brief shootout, they’re able to arrest most of the criminals but Dylan escapes with his right hand man. Sean is able to shoot Dylan’s protector though he is wounded in the process, but Dylan manages to get into his Maserati and drives off. Jacob grabs Sean’s gun and runs after Dylan in one of the detectives’ car. Within minutes Spencer is on their tail, fearing his worst that his two sons will try to kill each other. As Dylan is not a very experienced driver, having been chauffeured all his life, Jacob has no trouble catching up with him. He hits Dylan’s car and finally able to corner him. Jacob pulls a gun on him, telling him to get out. He threatens to shoot if he doesn’t reveal where Alexa is. Dylan says if he kills him, he will never find Alexa again. Jacob just about to pull the trigger when Spencer yells that Dylan is his brother. As Jacob is distracted, Dylan starts the ignition and drives away.
Final Act
As he arrives in his house, Olivia is waiting for him in her wheelchair. She’s wearing a wig as she’s undergoing chemo. She tells him that her last wish is for his favorite son to do one selfless act before she dies. Dylan’s heartbroken seeing her mother so fragile, and he finally confesses. The night Jacob is in the hospital, Alexa paid him a visit and offered to leave Jacob forever in exchange for his life. He makes Dylan promise not to hurt Jacob if she left the country. He had one of his men followed her to make sure he knows her whereabouts as he planned on killing Jacob anyway and made it look like an accident.
Unbeknownst to his son, Olivia is wearing a wire and Spencer heard the whole thing. Within minutes the whole place is surrounded and Dylan is finally arrested. Jacob is reunited with Alexa in France, whilst Olivia spends her last weeks of her life with the man she loves.
Epilogue
At Olivia’s funeral, Jacob is shown hugging Spencer, with Alexa by his side. Julienne and Sean who’s still in crutches are there as well, and they’re now engaged. It’s a bittersweet moment for Spencer as he’s finally reconciled with his son again, and he hopes that one day he’ll do the same with Dylan.




























30 Comments
Great tagline Ruth. I like it. I’m sure Mr. Dalton would be happy to have a starring role again, finally. I hope people read this all Ruth as it is very well thought out and nicely shaped. Some very interesting characters to watch here and they all kind of tie in together quite seamlessly. Very intriguing – with the right mix of suspense, action and real-life dramatic moments. What a great job…we should team up and start a production team…get both of our movies going!!!
Hi Peter, sorry took me a while to respond, I was out and about all day. Thanks for your kind feedback, and sorry for the extremely long set up, I guess I kind of got carried away a bit
I actually spend way more time developing the characters that they felt so real, like I knew them in real life, y’know. But I should’ve spent more time on the plot, I basically crammed that in the last minute (as Castor could tell from how late I sent this in). Glad you find it intriguing, I kind of want to make a character-driven story but with a bit of suspense/action thrown in, not sure if I achieved that but maybe if I have time in the future I might dwell on this more. Oh I’m so flattered you would want someone like me to be your producing partner… now that would be a dream come true!
First of all, there is a lot of information and plot details in this pitch and it obviously took a lot of time and effort to put together so I want to acknowledge that and thank you Ruth!
I am surprised that you went with Ridley Scott for this romantic drama/thriller. As you know, I like him a lot as a director but I do think that his movies as of late have lacked an emotional heart so that’s why I would say I’m surprised.
Overall, I really like this pitch. It’s a lengthy read but totally worth it. I think one aspect that could be worked is making it more mysterious and less obvious that Dylan kidnapped or did something to Alexa. The casting is very solid I think as I could see most of the roles played well by each actors. Maybe, have someone more threatening as Dylan rather than the boyish McAvoy?
First of all, thank YOU for putting up with my “tardiness,” submitting this so late last night and wasn’t even complete to begin with
It took me a while to get this down on paper as I was recording a bunch of stuff (the plot, characters, etc.) on my blackberry as I was driving to and from work, and as I said to Peter, I spent more time on the characters instead of the plot.
Thank you for your thoughtful and honest feedback, truly appreciate it! Allow me to explain. I deliberately chose Ridley despite his reputation of making more action/suspense stuff, but I actually find Gladiator to have a lot of heart… and so is A Good Year. He also directed Someone to Watch Over Me (http://www.imdb.com/title/tt0094008) which is billed as “A classic thriller with a twist of romance” which is what I was looking for. As for “…his movies as of late have lacked an emotional heart” I think it’s more of the fault of the script, so it doesn’t mean he’s incapable of directing an emotional piece.
Yeah, I realize the ending needs a lot of work, that’s the part I was cramming last night. But hey, in Hollywood, the script usually undergoes a lot of makeover, right? But with the right cast, I figure at least there is a solid base there to start with. As for McAvoy, I picked him for this role BECAUSE of his boyish role. As I said above: “Handsomely-boyish looking, soft-spoken and well-mannered, Dylan may seem like the perfect son and role model for any wealthy family.” Just because he looks like a nice guy doesn’t mean he is, and like Cillian Murphy in Red Eye, that actually makes him look even more menacing.
Ruth I really like the story and although you’ve given a good reason why you want to use Ridley, to me, it doesn’t seem like his style of movie. I could see this coming from his brother Tony Scott or maybe Michael Mann. Still, the right director can make anything work and Ridley is extremely versatile.
Other than that you have a smashingly well picked cast I am entirely envious of and I LOVE Dalton in the lead. Dylan as Spencer’s son is a great idea I think they can really do a lot with your material. Fine job, simple fine Ruth:)
Hey thanks Marc! Hey, Michael Mann is a good one, I didn’t think of him, not sure about Tony Scott though. But I stand by my pick
I think he can pull this off and of all people, he can also inject the right mood/atmosphere for it.
Glad you like the cast, Marc, I simply can’t NOT cast Dalton with the way I’m complaining he’s grossly underused
Oh and I know you like miss Green, but she won’t be the seductress that a lot of guys expect to see her play.
Dalton and Gerry were expected but still cast as very engaging characters. And yes, Eva Green Read:meow) is great as the victim…interested to see how she handles tormented. Might be like her role in “Frankyln” or the previous Ridley picture Kingdom of Heaven.
Well I wasn’t going to cast Gerry at first until I realized I needed someone who’d be perfect as McAvoy’s older brother. But Dalton, no doubt he’d be in my movie!
I like the choice of Gerard Butler. This would be a great role for him. he has been playing jerks in his last few movies.
Glad you think so, Clarabela. I know he can pull off a role like this based on his earlier work.
I love that you gave Dalton a starring role! (Well it is ensemble, but I like it anyway!)
I like that you picked Ridley Scott for this kind of genre. People associate him with strictly action and popcorn movies, but he’s one of the most versatile actors out there.
You obviously put a LOT of thought into this and my favorite part of any story is well written characters which each of these are. This kind of movie isn’t necessarily the brand I’d rush to the theater to see, but one I’d discover on DVD and end up buying.
Oh Heather, did I ever tell you I love you?
Yes, Scott is much more than action and sci-fi stuff, I know he gets flak for A Good Year as people don’t like to see his softer side (what people expect from Russell Crowe also), but I know he can tackle a dramatic thriller.
I’d be so flattered if you are willing to buy the dvd on this movie, even on the clearance bin
And I called Ridley Scott an actor! Ha, but of course I meant director.
I don’t know about the clearance bin. I just like well written stories and I don’t always see them in the theater because that’s for explosions and whatnot since I don’t visit it as often as most of the other bloggers on here, and while I might be an action sci-fi junkie, some of my favorite films are right up this avenue.
And I love you too!
I’m with you that I usually see action-packed or visually-striking movies at the theater and save the dramatic ones for dvd. But if certain actors are involved, I’ll be the first in line and I think I’d spontaneously com bust if I see both Dalton and GB in a real movie together
A very detail pitch Ruth. It takes quite long time to finish reading it.
I like the role for Cate. I bet she’ll do awesome job as Julliane. She’ll be my number one reason to watch your movie.
The story is impressive and I think it can drive people to keep thinking while watching it…the sort of thinking of what’ll happen next.
I always enjoy thriller, your movie is certainly the kind of movie I will watch. To the theater or DVD will be depend on the trailer.
Great job Ruth
Hi Nov, thank you! Well if it took you a long time to read it, imagine how much it took to write it… he..he.. as I told Castor, I really got carried away with this thing.
When I wrote Julienne’s part, I couldn’t think of anybody else but Cate. And the confrontation between McAvoy and Blanchett in act 2 require actors of strong dramatic presence.
“…it can drive people to keep thinking while watching it…the sort of thinking of what’ll happen next” That’s awesome to hear, Nov, that’s what I hope for from the audience.
I love thrillers too, especially with romance thrown in.
Love story and a thriller – I like it. Ridley Scott can definitely pull it off. But can Timothy Dalton entice the casual film fan in a leading role?
Hey Dan, thank you. Well, I’m not aiming for the ‘casual’ moviegoers, and this is by no means a blockbuster-type, despite having Ridley at the helm. Though Timothy gets top billing, I intend for this to be an ensemble cast, and hopefully the fan base of Mirren, Butler, McAvoy and Blanchett would support a film like this.
I just want to congratulate Ruth for putting James Mcavoy (who I wanted for my film) and Cate and Helen to brilliant use. I want to see this one, it’s probably my favourite pitch so far – and they’ve all been good
Sorry for snatching McAvoy from you Andrew. I had just watched The Last Station and had an a-ha! moment that he’d be perfect for my story. I don’t know why seeing him as a naive, goody-two-shoes somehow inspired me to cast him as a ruthless, money-laundering hooligan
I’m so honored that you consider this your favorite, man, I’m verklempt
I like that you have 3 different love stories and they are not your typical couples. I am sick of beautiful 20-year olds getting all the good romantic movies.
I also like the idea of using someone who is handsome, playing someone who is basically evil.
“I am sick of beautiful 20-year olds getting all the good romantic movies” Yep, me too! I also love unrequited love stories… it’s the hopeless romantic in me
And the devil often comes in attractive packages, Clara, and they often do have two faces.
Jeez, this is amazingly detailed. You put a lot of work into it and it really pays off. Very emotionally charged, and what an ending! I love Timothy Dalton and it would be a real pleasure to see him fronting a movie again. Scott needs to find the heart in his movies again, so this would be perfect. Well done, Ruth.
Thank you, thank you… I really appreciate the encouragement, Richard. I’m glad you like the emotional aspect of the story, that is what I was going for more than the action. I mean, I like a good shootout and car chase scenes of course, but I’d enjoy it more if it’s not gratuitous. And high five about Timothy… we should all make a petition to get him a lead role!
I think his role as Mr Prickle Pants in Toy Story 3 deserves a spin-off movie.
Ahahaha… yeah I’m all for that. But I would rather see Dalton as himself instead of a stuffed porcupine
There aren’t enough romantic thrillers in this world. I think Ridley Scott is the perfect choice to make one. I’d see this film for no other reason than seeing Cate Blanchet and Helen Mirren together, but I think you’re onto something.
I agree with Heather – Dalton in a starring role is kind of awesome!
This is going to be the turning point for Ridley to return to kick-ass films.
Thanks ThisGuy! Yes, we need more romantic thrillers… and I’m glad you think Ridley is a good choice. Cate and Helen together will be dynamite, I do hope to see both of them collaborate together soon. I kind of think they have the same ‘look’, that’s why I cast them as mother & daughter, and obviously they’re both amazing actors. Yay, another Dalton fan! I truly believe lots of people would go see a movie with him in the lead… so come on Hollywood!
P.S. Looking forward to your pitch with QT… it’s about time someone think that he and Ken Watanabe should work together!
Great choice with Dalton and Ridley Scott. I recently watched “Someone to Watch over me” and I can totally see him directing this movie.
You are very hardworking, this might be the most ambitious written piece of work I have read in some while. The thing its really hard to grasp everything on a quick read.
Thanks for your comment, Joel! Yes, people often forget Ridley did a drama/thriller like that, which is slower-paced and romantic. I think if people see that movie they’d see why he’s perfect for my movie
He..he.. well I can be ‘hard working’ on something I enjoy. There is a lot of info to process in written form, but in a movie it’d be quicker to grasp I think, and with Ridley, it’d be a visual feast as well.
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