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LAMB #393

Large Association of Movie Blogs

1001 Movies Club

Grade Scale

  • A+: Never say never
  • A: A masterpiece
  • A-: A near-masterpiece
  • B+: Very good movie
  • B: Good movie but some minor flaws
  • B-: Pretty good but some flaws
  • C+: Slightly above average
  • C: Average
  • C-: Mediocre
  • D: Bad movie!!!
  • F: Atrocious, avoid at all cost!

Julie & Julia (2009): Bon Appetit!

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Julie & Julia is an absolutely irresistible movie directed by Nora Ephron and co-starring Meryl Streep and Amy Adams  for the second time in a year (Doubt). The movie is based from the book of the same title by Julie Powell who is played by Adams. Julie is a stressed government worker working in post 9/11 New York City and nearing her 30’s, unhappy with how little she has achieved so far in life. To unload some daily stress and achieve some short-term goals,  Julie decides to cook all 524 recipes from Julia Child’s first book Mastering the Art of French Cooking within a year and blog about her experience. The movie flips back and forth between Julie’s quest and the early culinary career of the famed Julia Child (Meryl Streep) leading to the publishing of her first book Mastering the Art of French Cooking in 1961.

Julie & Julia was a very entertaining and, at times, fascinating movie. Not only did Julia Child had to fight prejudice against women but she also had to wait years and years for her book to be published and she remained forever optimistic and gracious through it all.  There was also a short but very powerful scene that dealt with the Child’s not being able to conceive which should come into play during awards’ season. Julie Powell’s half of the movie is not at the same level but still engaging enough. Julie is an ardent fan of Julia Child and even goes so far as to imagine her as an imaginary friend to whom she constantly talks and refer to. We get to feel her life in a tiny and noisy 900-ft square apartment and I also enjoyed how her blog progressively went from total obscurity to getting massive amount of visits. Ephron links both stories by paralleling the lives of the two women and although the women never meet each other, it worked perfectly fine.

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Amy Adams, sporting shorter hair, is her usual delightful self despite playing an unlikable character. Julie Powell is self-centered and whiny for most of the movie, focusing so much on her cooking that she neglects her husband and everything else at times. That Adams manages to keep her half of the movie just as entertaining is only a testimonial of her genuine charisma on screen. As much as I like Amy Adams  though, Julie & Julia is the Meryl Streep show. What more can be said about Meryl Streep? She has received constant heaps of praises throughout her career and for good reasons. Not only does she captures Julia Child’s voice, her larger-than-life personality as well as her notorious physical mannerism, she was Julia Child! Julia Child being 6 ft 2, Streep even had to portray her imposing stature despite being only 5 ft 6. What could easily have been a caricature in the hands of a less talented performer was turned into an acting showcase which should be rewarded with numerous hardware come awards’ season. Stanley Tucci and Chris Messina give solid albeit unmemorable performances as the supportive husbands.

From a technical point of view, Ephron did a great job with the cinematography and I particularly appreciated the recreation of France in the early 1950’s from the decors to the costumes. Shots of the food are painfully top notch and we also get some beautiful backgrounds of New York City varying from a skyscraper office window to a skyline shot from the roof of an apartment.

A delicious movie to be savored thanks to strong performances from the two leads but I have to duck a little off the final grade because of the utterly needless political commentary. Finally, the movie will make you HUNGRY!

A-

Notes: PG-13,  123 minutes

Related links: The Julie/Julia Project

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Rating: 8.3/10 (3 votes cast)

Movie Review: Doubt (2008)

doubt-posterAdapted from the highly acclaimed play of the same name, Doubt is a drama powered by four Oscar-nominated performances and directed by John Patrick Shanley.

It’s 1964, the Bronx, a time of cultural upheaval. Father Flynn (Philip Seymour Hoffman) is a charismatic, cheerful, and progressive-minded priest who desires to move beyond the traditional ways of the Catholic church. Opposing him is Sister Aloysius (Meryl Streep), the strict and vindictive principal of the parish’s school who takes an immediate dislike for the free-wheeling new priest. When younger nun Sister James (Amy Adams) reports to her that Donald, the school’s only African-American boy (Joseph Foster II), came back shaken from a private meeting with Father Flynn (uh…). Sister Aloysius sets off on a quest to determine the truth and run Father Flynn out of town. But what happened exactly? Did anything even happen?

There is no real clear answer as to whether he did anything wrong. The movie lets the viewer make his/her own conclusion. Although the movie is rich in dialogues, Shanley did a great job of never overextending into never-ending talking. Doubt almost borders on a psychological thriller, it is that intense. The movie keeps the viewer on the edge of his seat, waiting for the slightest detail that might reveal him the truth.

The main driver of the plot is the confrontation of the titans. Father Flynn vs Sister Aloysius. Hoffman vs Streep. Those two match each other punch for punch and they deliver as expected. Meryl Streep gives a steely performance as the overbearing and uptight nun. She runs the school like a jail, expecting the utmost discipline from everyone around her. The arrival of Father Flynn rubbed her the wrong way from the get-go. He writes with a ballpoint pen, needs three lumps of sugar in his cup of tea, and doesn’t cut his nail. All of those major red flags in Sister Aloysius’ judgemental eyes. Philip Seymour Hoffman display his great acting chops, keeping the viewer guessing whether he really did anything wrong. He truly believes he did nothing wrong which make us, the viewers also believe he is innocent. There is also superb work from two great supporting actresses. Amy Adams plays her usual innocent, sweet and hopeful type of character but heck, she does it so well so I won’t complain for now. Sister James is hopelessly good-hearted and only wants to see the good in people and yet she is the one that provide the spark that sets off the powder keg. Viola Davis has only one scene as the mother of the potentially molested Donald, a dialogue with Meryl Streep’s character, but it is both an incredibly powerful and moving scene as well as a restrained performance. Very unique combination.

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More of a good theater play put on film than a movie, Doubt features four incredible performances that no real movie aficionado would want to miss.

B+

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Rating: 9.0/10 (1 vote cast)

Movie Review: Rendition (2007)

I just saw Rendition in theater Friday night. Good but unspectacular movie. As a whole it is neither exceptional nor bad. Just a little blah… In short, Rendition = BABEL. Same structure, same shortcomings, same result. It doesn’t help that it’s the 47th movie in the past 2 years whose subject relates to the Iraq War.
The major issue I had was the terribly underwritten story and Gavin Hood’s attempt to get into way, way too many subplots instead of following Isabelle’s character attempt to rescue her husband from the evil CIA. This would have followed the most compelling part of the plot and given all characters time to develop. Acting-wise, why get an All-star cast if you are going to have all characters be one-dimensional and give them minimal screen time. Reese Witherspoon appears in only about 1/4th of the scene and does a good job of playing a tough women in a role that could easily have fallen into a self-pitying, weeping, fest but stays on the sideline for too long. Jake Gyllenhaal, who spends most of his screen time sitting in a corner and mastering the art of getting high, does a good job as Douglas Freeman. In the other hand, Meryl Streep and Alan Arkin are just going through the motion. The highlight comes from the Tunisian actors turning out some outstanding performance that should be commended.

Major plot holes in the movie, overly simplistic in character development and pivotal events, too complex in terms of subplot and secondary characters. Many of the important events in the movie happen off-screen and sandwiched in there are some torture scenes.

Don’t get me wrong, Rendition is somewhat entertaining, well-crafted, well-acted, and good-looking but given the All-star cast, I would go as far as to say the movie was a disappointment. Rendition’s attempt to move the audience and make people think comes up short.

C+

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Rating: 5.5/10 (2 votes cast)